Good Books...

Mary Oliver

All night
the dark buds of dreams
open
richly.

In the center
of every petal
is a letter,
and you imagine

if you could only remember
and string them all together
they would spell the answer.
It is a long night,

and not an easy one--
you have so many branches,
and there are diversions--
birds that come and go,

the black fox that lies down
to sleep beneath you,
the moon staring
with her bone-white eye.

Finally you have spent
all the energy you can
and you drag from the ground
the muddy skirt of your roots

and leap awake
with two or three syllables
like water in your mouth
and a sense

of loss--a memory
not yet of a word,
certainly not yet the answer--
only how it feels

when deep in the tree
all the locks click open,
and the fire surges through the wood,
and the blossoms blossom.

-- from Dream Work, 1986

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
     love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.

-- from Dream Work, 1986

The spirit
  likes to dress up like this:
    ten fingers, 
      ten toes,

shoulders, and all the rest
  at night
    in the black branches,
      in the morning

in the blue branches
  of the world.
    It could float, of course,
      but would rather

plumb rough matter.
  Airy and shapeless thing,
    it needs 
      the metaphor of the body,

lime and appetite,
  the oceanic fluids;
    it needs the body's world,
      instinct

and imagination
  and the dark hug of time,
    sweetness
      and tangibility,

to be understood,
  to be more than pure light
    that burns
      where no one is --

so it enters us --
  in the morning
    shines from brute comfort
      like a stitch of lightning;

and at night
  lights up the deep and wondrous
    drownings of the body
      like a star.

-- from Dream Work, 1986

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice--
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do--
determined to save
the only life you could save.

-- from Dream Work, 1986

It grows larger,
wall after wall
sliding
on some miraculous arrangement
of panels,
blond and weightless
as balsa, making space
for windows, alcoves,
more rooms, stairways
and passages, all
bathed
in light, with here
and there the green
flower of a tree,
vines, streams
casually
breaking through…
what a change
from the cramped
room at the center

where I began, where I crouched
and was safe, but could hardly
breath! Day after day
I labor at it;
night after night
I keep going
I’m clearing new ground
I’m lugging boards,
I’m measuring,
I’m hanging sheet of glass,
I’m nailing down the hardwoods,
the thresholds
I’m hinging the doors
once they are up they will lift
their easy latches, they will open
like wings.

-- from Dream Work, 1986

In the time of snow, in the time of sleep.
The rivers themselves changed into links
of white iron, holding everything. Once
she woke deep in the leaves under
the fallen tree and peered
through the loose bark and saw him:
a tall white bone
with thick shoulders, like a wrestler,
roaring the saw-toothed music
of wind and sleet, legs pumping
up and down the hills.
Well, she thought, he'll wear himself out
running around like that.
She slept again
while he drove on through the trees,
snapping off the cold pines, grasping,
rearranging over and over
the enormous drifts. Finally one morning
the sun rose up like a pot of blood
and his knees buckled.
Well, she whispered from the leaves,
that's that. In the distance
the ice began to boom and wrinkle
and a dampness
that could not be defeated began
to come from her, her breathing
enlarged, oh, tender mountain, she rearranged
herself so that the cubs
could slide from her body, so that the rivers
would flow.

-- from Dream Work, 1985